Group exhibition :mentalKLINIK . Rina Ralay-Ranaivo . Temandrota
A proposal by Joël Andrianomearisoa
Hakanto Contemporary Antananarivo
Exposition from 27 February to 4 September 2021
Beyond all you are mine.
A joyful affirmation in a time where the future remains uncertain. The end seems far away! And what will tomorrow be? A declaration of life at a time when we lack breath. How to breathe? With whom to breathe? An assurance of strong friendship even when the world today seems helpless. Will we ever dance? A kiss? A state of love when naive patriotism points its nose too much.
Three artists deliver themselves to affirm that we are still together, inspired and alive. The breath of time belongs to us and our desires go beyond all horizons.
The first is a Malagasy force. Temandrota. He manipulates the earth, he kneads the fire, he triturates our hearts to give new resonances. In his immersive installation Kolondoy, he sketches new territories, new playgrounds to confront us with the questions of tomorrow and our deepest desires.
The second, from the Bosphorus to the banks of the Ikopa, the :mentalKLINIK blur the tracks of a game between materiality, luminosity and sentimentality. Without geography except that of the emotion. Between the idea of 2, 3 or more … The couple :mentalKLINIK invites us to question the idea of a new love and especially the one we carry on Antananarivo. Another love.
And the third, Rina Ralay Ranaivo who shares his heart between Antananarivo, Berlin and elsewhere, invokes in his piece Chapitre I, his fantasies, our ancestors and History along an imaginary river to cross. Once again, crossing water, crossing time, crossing the other, crossing borders, to find ourselves and to affirm that beyond everything you are mine.
To make the desire, the desire to be in the world, to slip into the caress of the wind, and let yourself be carried away.
Joël Andrianomearisoa . 2021
RAMILY ILAY NANAO NY MARAINA
Ramily who revealed the day
SOLO SHOW FROM APRIL 30 . 2022 TO JULY 30 . 2022
Between a retrospective and a tribute, the exhibition is dedicated to Emile Rakotondrazaka, better known as Ramily or affectionately called Dadamily. Indeed, Ramily is the father of Malagasy contemporary black and white photography. The exhibition will be a moment to highlight the genius of a photographer, a pioneer of the black and white, and an outstanding laboratory worker.
EMILE RAKOTONDRAZAKA . RAMILY
Emile Rakotondrazaka, also known as Ramily or Dadamily, was born on September 25, 1939, in Antohomadinika, a district of the city of Antananarivo. The eldest of 10 siblings, he is the son of the carpenter Rakotozafy and Razanapanalina.
At the age of ten, in 1949, he was raised by Pastor Rasolonjatovo, whose son was a photographer. His first encounter with photography began when he followed his “adoptive” brother to carry out “identity card operations” in the towns and villages of Madagascar, whilst Madagascar was still under colonial rule.
In 1956, at the age of 17, Ramily worked as an assistant photo laboratory technician at PHOTOFLEX, located in Analakely, Avenue de l’Indépendance, and run by the French photographer Mesli d’Arloze. His talents in developing darkroom photography techniques began to draw his attention. His employer greatly appreciated his mastery of chemical processes, and Ramily excelled as a laboratory technician.
In 1968, he opened his first development laboratory—still very modest but already very well known—in the historic area of Ankadifotsy, in the basement of a bookstore run by his wife.
Two years later, in 1970, he moved to Itaosy, where he relocated his development laboratory, which had become larger and more sophisticated. A first for Madagascar, he then created a photography studio and later on, would even start a wooden framing workshop.
Between the 1970s and 2000s, Ramily successively exhibited in the premises of Air Madagascar, at the Albert Camus Cultural Centre (now the French Institute of Madagascar), at the CITE (Centre d’Information Technique et Économique [Technical and Economic Information Centre]), at Alliance Française de Tananarive and even in the streets of the city of Antananarivo, with a group of photographer friends. He has also participated in several editions of the Mois de la Photo, the Photoana Festival, and a biennial of photographic encounters in the Indian Ocean, which all took place in Antananarivo. On two occasions, the international magazine “Revue Noire” even devoted articles to him.
Ramily is also a founding member of two photographers’ associations including the “Association des Photographes de Madagascar” and the “Association des Photographes de Tananarive.”
Among his last public appearances, in 2007, he participated in an international exhibition of contemporary art, “30 et Presque-Songes” initiated by Joël Andrianomearisoa in Antananarivo.
An icon of photography, Ramily is the reference point for silver prints in Madagascar, with his career reaching its peak from the 1970s. He stopped his work as a laboratory technician in 2003, the year he suffered a heart attack. Ramily passed away on March 26, 2017, in Antananarivo, leaving behind hundreds of poetic landscapes, carefully crafted prints, black and white wedding and solemn event shots. Above all, he left an unprecedented passion for photography, generously shared with younger generations of photographers.
Ry Tanindrazanay malala ô ! Ry Madagasikara soa, Ny fitiavanay anao tsy miala, Fa ho anao ho anao doria tokoa.
Oh our cherished country! Oh beautiful Madagascar, Our love for you remains, And will remain forever.
Following the tradition of nearly two years of exhibitions at Hakanto Contemporary, we systematically question context, history and our present, and allude to the future.
For this new opus, while not turning our back on custom, our message revolves around the idea of nation – country – land. And that past – present – future continues to set the tempo for this new musicality.
The land We often speak of this red island, this scrap of country off a continent’s coast, out in the ocean, far from the world’s shore. We. We from the great ocean, as Serge Henri Rodin so appropriately insists. Madagascar. Surrounded by sea and still a great mystery.
Statement ? Questioning ? Love ? Distance ? Independence ? The idea is not to provide answers, but rather to form an emotional observation using multidisciplinary formulae. Actions in black and white leading to the assertion of a colourless flag. Hearts torn to enable the ink of hope to pour out. A song of love springing from religious effluvia. Or possibly a family dish transformed into fireworks from the height of our pain. There are various answers. Some lie in dialogue and some in confrontation, but also in tension.
Act of love Ny fitiavanay So here is a declaration of love from 26 Malagasy artists to their dear land. 26 referring to 60. 26 artists. 60 years of independence. How can we make the present with this anniversary? How can we break down history? Or reshape histories? And how can we tell the story of the future?
Reshape one’s history, Rewrite one’s memory, Slip anchors, Change one’s roots, And build, build, again and forever.
Ny tena sy fo fanahy anananay Our body, our heart and our soul
An echoing melody that allows hearts and souls to speak with boundless freedom. Yes, let us speak, for it is time.
– Joël Andrianomearisoa . September 2021
Ry Tanindrazanay malala ô Madagascar national anthem since 1958 Lyrics . Pastor Rahajason Music . Norbert Raharisoa